In the early days of sketching, the majority of people who worked for a drawing firm had very little experience. They were expected to develop, refine and perfect their craft. As a result, they often ended up feeling like they were never really out of their depths. In the age of digital tools, that was no longer necessary. However, most people were still very skilled in how to make something look really good. That’s why all of this is important: making sure that when you do go into a sketch the result is something you think could have been achieved better by hand, with all the lessons made clear that you have learned.
And don’t you ever regret drawing something that you didn’t end up liking?
I think about this on a regular basis. That’s not necessarily a good thing, but it is a truth. Not everybody will be happy when they’re done with a drawing. At the same time, I think that’s what creates a lot of fun — having that chance to really make something that people would find fun.
Which other drawing devices do you use? Do you have any other gadgets to share?
I’ve never gone through and done an actual drawing test or anything, but it’s been on the list of things I want to add to my collection of tools for drawing all of the time. The thing I’m most thrilled to have was the pencil. I find pencils to be perfect tools for keeping track of a lot of very complicated movements. It gets your fingers moving quickly and fluidly.
If you really wanted to be a world famous artist, how would you draw?
I’ve always believed that a drawing can never be too complicated. If drawing is just a matter of simple, elegant shapes and expressions, you can still do great work. Sometimes this means you need to be very precise — even when you’re working with your fingers. However, you also need a level of awareness. The process is more complicated when you’re a professional than when you’re a hobbyist drawing for fun. Your imagination is the master of the show.
When in Rome with Gianluca Maestri, he mentions this quote:
“The main thing is to go along with an idea without judging it. Don’t be afraid of being wrong — that’s what art is all about.”
As a practicing artist, what are your favorite books for teaching? A favorite painting for teaching?
When I started to study the technique more,
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